Drew Barrymore photographed by Peggy Sirota in 1998
CAILLOU BASED FREESTYLE
HER PUSSY BALD LIKE CAILLOU SWAG SWAG LIKE CAILLOU I’M GOOD NIGGA HOW YOU? GO WAY BACK LIKE CAILLOU CAP BACK LIKE CAILLOU I DON’T MATCH LIKE CAILLOU MY WEED YOUNG LIKE CAILLOU GO DUMB LIKE CAILLOU I’M PBS LIKE CAILLOU DTF LIKE CAILLOU MY DICK FRESH LIKE CAILLOU SHE GET WET LIKE CAILLOU THE REALEST EVER LIKE CAILLOU I’M DICKIN IT LIKE CAILLOU BAD BITCH GON SUCK DICK NEED 30 MINUTES LIKE CAILLOU I’M UP EARLY LIKE CAILLOU SHE GET DIRTY LIKE CAILLOU
"In a lot of ways Piper was my Trojan Horse. You’re not going to go into a network and sell a show on really fascinating tales of black women, and Latina women, and old women and criminals. But if you take this white girl, this sort of fish out of water, and you follow her in, you can then expand your world and tell all of those other stories. But it’s a hard sell to just go in and try to sell those stories initially. The girl next door, the cool blonde, is a very easy access point, and it’s relatable for a lot of audiences and a lot of networks looking for a certain demographic. It’s useful."
Jenji Kohan, Orange is the New Black show creator
even the show writers know that piper isnt as interesting
The earth breaks, it falls and save your beat
I’d find myself swallowed, drowning in your heat
As long as we’re going down,
Baby, you should stick around
Baby, you should stick around.
"This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.” - Gary Provost
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